Joey Akan Criticizes Wizkid for Distancing from Nigerian Roots Unlike Fela
Music journalist Joey Akan has publicly criticized global superstar Wizkid, accusing him of distancing himself from his Nigerian roots and the cultural heritage that shaped his music career. In a series of social media posts, Akan drew comparisons between Wizkid and the late Fela Kuti, praising Fela for using his international fame to advocate for his people.
Akan argued that Wizkid’s recent public actions and statements, particularly amid his feud with Seun Kuti, indirectly endorse the aggressive behavior of some of his fans. According to the journalist, the ongoing conflict has stripped the singer of “plausible deniability” when fan groups attack others online in his name. This has reignited discussions about the responsibilities that come with fame and the influence artists wield over their fan communities.
The comments by Akan have sparked mixed reactions online. While some users support his criticism, agreeing that Wizkid has lost touch with his Nigerian roots, others defend the singer, emphasizing his global success and the challenges of balancing international fame with local cultural expectations. The debate reflects the broader tension between commercial success and cultural authenticity for contemporary African artists.
By contrasting Wizkid with Fela Kuti, Akan highlights the perceived difference between artists who use fame to uplift their community and those who prioritize personal branding. He notes that Fela Kuti consistently used his platform to speak on social, political, and cultural issues in Nigeria, while he believes Wizkid focuses more on commercial appeal and international recognition.
The timing of Akan’s critique is significant, as it comes amid Wizkid’s ongoing disputes with Seun Kuti and the wider Kuti family. The feud has intensified scrutiny on Wizkid’s public persona, raising questions about how Nigerian artists should navigate social media controversies while maintaining respect for national icons and cultural legacies.
Akan’s statements also touch on the growing conversation about celebrity accountability in Nigeria’s music industry. Fans often imitate or act on the instructions of popular musicians, which can amplify conflicts or escalate online harassment. Critics argue that artists must be mindful of their influence and the potential consequences of their words and actions.
The debate surrounding Wizkid, Seun Kuti, and Fela’s legacy reflects a larger cultural discourse in Nigeria. It questions how globally successful artists can honor their heritage while pursuing international acclaim and how they can guide their fanbase toward positive engagement rather than conflict.
As the discussion continues online, industry watchers note that the feud may influence public perception of Wizkid, potentially impacting his reputation at home. Meanwhile, conversations about celebrity responsibility, cultural advocacy, and fan influence continue to be central to debates about modern Nigerian music and its place on the global stage.
